Sunday, 9 September 2012

Author Interview with Kaye Thornbrugh

I would like to welcome Kaye Thornbrugh to the Making Connections blog today!

Kaye is the author of
Flicker, a YA fantasy novel.  
Thanks for stopping by today Kaye!
 
 
Title:  Flicker
Author:  Kaye Thornbrugh
Pages:  278
Published:  February 25th 2012
Available From:  Amazon
 
When sixteen-year-old Lee Capren is spirited away to Faerie, she is forced to serve capricious faeries as a prized portrait artist… and live as their prisoner.

A chance encounter with the charming Nasser grants Lee a chance for freedom—but what felt like mere days in Faerie spanned years in the human world, and Lee no longer has a home to return to.

Nasser is a Seer—a human with magical powers—and Lee is quickly plunged into his world: a sprawling city teeming with magic and mystery, where supernatural creatures walk hidden among humans. With the help of a rag-tag group of teenage Seers, Lee must master her newfound magical talent and outwit a cunning faerie determined to destroy her. 


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Flicker is currently available from the Making Connections - YA Edition group on Goodreads in exchange for an honest review. 
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 1. When did you first know you wanted to write?
I wrote my first story (a twenty-page epic about a fierce lady werewolf hunter) when I was about eight years old. It probably wasn’t very good, but it was such fun to write. Ever since then, I’ve been obsessed with coming up with worlds and characters and writing about them. It’s good exercise for my imagination, and its’ one of my favorite forms of entertainment!

2. Tell us a little about Lee and Nasser.
Lee is an artist and an unrepentant nerd. She’s a perpetual daydreamer, happier observing the world around her and capturing it safely on paper than getting into the thick of things—but when she finds herself pulled into the Faerie realm, she’ll have to draw on strength and resourcefulness that she never knew she had.

Nasser is a Seer whose magic has been more of a curse than a gift. He’s fiercely protective of his family and friends (maybe a little too protective), prefers to shoulder burdens by himself, and a closet romantic. When a chance meeting with Lee alters the course of his life, he’ll have to learn that true strength comes from relying on those around him.

3. What was your favorite scene to write?
Probably the scene with Filo and Neman, from the last chapter. It’s always a fun challenge to write Neman, especially when she’s interacting with Filo.

4. How would you describe your writing style?
Well, my style can change a lot depending on the story I’m writing—but in the Flicker series, I put a lot of emphasis on imagery. I try to create a lot of atmosphere with my words.

5. What do you see as the influences on your writing?
My two biggest influences are Holly Black, whose novel Valiant introduced me to the darker side of faeries (as well as YA urban fantasy in general) and Ray Bradbury, whose short stories and novels (especially The Martian Chronicles, Something Wicked This Way Comes and The Halloween Tree) showed me that genre fiction can be as beautiful as the finest poetry.

6. What do you like to do when you're not writing?
As you might imagine, I’m a huge reader; I try to read at least 100 books per year. I love TV, movies and video games—Pokémon and The Legend of Zelda are my favorites—and I spend an inordinate amount of time on Tumblr. (You can find my official Tumblr here: kayethornbrugh.tumblr.com)

7. What tools do you feel are must-haves for writers?
I can’t speak for anyone else, but these are the top three things that I need when I’m writing: 1) Background music—I can’t write without it! 2) Reference books. I keep all my books on folklore/fairy tales/whatever else I’m writing about within arm’s reach while I’m at work. 3) An AP Style Book. I use it primarily for journalism, but it’s invaluable for writers of all types!
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Contact links:

Goodreads:  http://www.goodreads.com/author/show/5767418.Kaye_Thornbrugh

FB:  
http://www.facebook.com/flickernovel

Tumblr: 
http://kayethornbrugh.tumblr.com/

Blog:  
http://kayethornbrugh.blogspot.com/

Twitter: 
https://twitter.com/helloitskaye

Email:  
kayethornbrugh@gmail.com

Monday, 3 September 2012

Author Interview with R.B. Harkess

I'd like to welcome author R.B. Harkess to the Making Connections blog today!

R.B. is the author of
Aphrodite's Dawn, a YA sci-fi adventure:

A gripping science fiction epic of a young man fighting to save a world he has only just found he lives within as he deals with obstacles, betrayals of trust, and changing relationships.
 
 
Aphrodite's Dawn is currently available in the Making Connections - YA Edition group on Goodreads in exchange for an honest review.  Follow this link to sign up for your copy!
 
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When did you first consider yourself an author?
I guess I must have first thought I was an author when I was about 7. At least, I remember blagging my teacher (Mrs Ball) that I couldn’t do writing class because I had writers block. After that I toyed with writing every five or ten years, but nothing ever came of it. I guess things were waiting until I was ready, or maybe until I had grown up enough.
Then I got my first acceptance, February 2011. ‘Jack in the Box’ got placed in ‘Escape Velocity: The Anthology’. Funnily enough, it wasn’t the offer or the contract, it was the editor dropping me an email and asking me if the piece was still available that made me feel like a real writer.

Tell us about your main character(s).
Ooh. Main characters is difficult. I’ve got so many of them. I think the one I am most proud of is Claire Stone. Nobody knows her yet; I’m still looking for a publisher for her. She’s a Warrior, and normal kid who finds her way through to Underland – a place almost like our world, just a little bit different. She’s not like the other Warriors. She started late and has a lot of work to do to catch up, and the locals don’t like her. I only have one story for her so far, but I’ve plans for more in a series.
Main characters are tricky, though. I really like to directness of seeing everything through the main characters eyes, even having him or her tell you the story. My first novel ‘Aphrodite’s Dawn’ is told like that. Then again, if you have more ‘main characters’ an author can make the story richer and more complex. I feel you have to let the story explain to you how it wants to be told.

What is your work schedule like when you're writing?
 I have a ‘day’ job, like most writers. Even when I’m in the frenzy of a first draft, everything has to fit around the day job and the commute. I get about two hours a day if I’m prepared to do without a social life. The first draft of ‘Amunet’, the story I’m building at the moment, took about 10 weeks. It will take at least that long to edit it into something I can start showing people, but I need to let it rest a while. In the meantime I’m helping another writing friend by doing an edit on her novel.

Are there any authors (living or dead) that you would name as influences?
I don’t think I can point at an author and say he or she influences my writing, at least not directly. I want to write like me, not like somebody else. I don’t really get people who want to write in the style of someone like Lovecraft, unless they put something of their own into the piece.
There are many authors I respect as a reader, probably too many to list, and it’s often just one book that draws me rather than a writer’s whole output. John Brunner is an example of that. He wrote a book called ‘Shockwave Rider’ many years ago that predicted a lot of what we see in the internet now, but that was the only work of his I ever got on with. When I was in my preteens everything was space opera: Heinlein, EE ‘Doc’ Smth, Brian Ernshaw’s ‘Dragonfall 5’ series. As I got older I drifted around fantasy and SF, not really being loyal to either, flirting with David Eddings, F Paul Wilson and Spider Robinson.
So given I like to write the sort of thing I would like to read, I guess these folks had and indirect influence on my writing, but I wouldn’t say I try to emulate anyone.

What do you do to unwind and relax?
Unwind? Relax? I’m a writer. I don’t have time to relax.
Books and music, mainly. I like internet radio services where you tell them what you like and the make suggestions for stuff you may not know. Seems my favourites at the moment are trip-hop and downbeat electronica. Neither term means a thing to me, but I like music without voices. They distract me when I’m reading or writing.
I should get off my backside and get out more, but I’m in a place in my life where writing is more important just about than anything else. OK, Wife, cats and paying the mortgage don’t apply, but otherwise it’s pretty true. Still, not good for me.

Where do you hope to see yourself in the next five years?
In five years? – hopefully finding time to relax and get some exercise.
OK, I’d be lying if I didn’t admit to hoping to be making a living from writing, but the chances of that happening are lottery-sized. I’ll be happy if I’m still writing seriously. I know there are people who write because they have to, tearing each word from their soul and inscribing on the paper with their own blood. Me, I write because I enjoy it, but most of all because I want others to enjoy it. I think writing is like fire.
To get a fire burning you need fuel, air, and heat to ignite it. To me, to keep writing you need time and creativity, but what keeps you going is success, or recognition. Just something to let you know somebody else values what you do. So I hope in five years I’ve entertained enough people to keep me writing.

In your opinion, what are the most important elements of good writing?
Good writing is about characters. Everything else is a framework you build to allow characters to interact with your world and with each other. Dialog ultimately comes from your characters. If you don’t know them well enough to let that out, your story is going to be flat and lifeless.
Readers need to be able to emotionally identify with characters. Its how a writer gets the buy in. That deal with the reader that says ‘suspend your disbelief and trust me’, by giving the reader characters real enough that they’ll invest the time in finding out what happens to them

What are you reading now?
What am I reading? I normally have two books on the go at the same time; an ‘ordinary’ book and an audio book. My commute is between two and three hours each day, so I get through audiobooks fairly quick. So, my dead tree book I’m just about to start is ‘Uglies’ by Scott Westerfield, and I’m about 75% of the way through ‘The Windup Girl’ by Paolo Bacigalupi.
I like reading YA as much as I enjoy writing it. Its fresh and focused in a way mainstream writing can often miss out on. Uncluttered. Probably going to be ‘Insurgent’ by Veronica Roth for the next audiobook.
 
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You can find out more about R.B. Harkess and his Aphrodite's Dawn on Goodreads or his Blog.



Find Aphrodite's Dawn on Amazon



 

Sunday, 2 September 2012

Author Interview with Liz Grace Davis

I'd like to welcome author Liz Grace Davis to the Making Connections blog today! 

Read on for our interview with Liz and a giveaway of her book, Tangi's Teardrops.


When Tangi's father dies, he leaves her nothing but three empty bottles. A kind uncle takes the poverty-stricken girl and her stepsisters in, and for a time life gets better on his farm. But Tangi remains a lonely outsider; her stepsisters tease her for her crippled leg, and the housekeepers use her like a servant.

Just before her thirteenth birthday, Tangi learns the truth about her father's strange legacy: the three bottles aren't empty any more. They're filled with all the tears she's cried since her father died, and her tears are enchanted. She must use them to travel to Rosevine, the world of her dead mother. Tangi not only belongs there but is necessary to keep Rosevine alive.

Tangi's tears will save Rosevine, and Rosevine will save Tangi from a cruelty-filled life, except for one thing: Tangi's lost the bottles.




Tangi's Teardrops is currently available in exchange for a review in the Making Connections - YA Edition group on Goodreads.  Follow this link to sign up!

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When did you first know you wanted to write?
Actually, I can’t remember a specific time when I knew I wanted to write. I just started writing. I was always a dreamer and I enjoyed making up stories. In the beginning I just wrote for me. If I read a book and I wasn’t satisfied by the ending, I made up my own. I guess the need to write was always there from the start.

Do you see writing as a career?
Yes, I do. A career I would enjoy every step of the way. There’s nothing quite as satisfying as doing something that you love.

Tell us a little bit about Tangi.
 Tangi is a twelve year old handicapped girl who is surrounded by people who hurt her for no given reason. All she ever wants is for others to look at her and not see her imperfections. But they do, and they use them to weaken her, both physically and emotionally. In short, Tangi’s Teardrops is about a little girl who dreams of becoming something bigger than herself, who craves acceptance and love. This is a story of suffering and pain, hope, love and of course dreams coming true. Tangi’s Teardrops is inspired by a painful part of my childhood. 

A reader described the novel perfectly:

“The story's told in two very distinct halves. Swift clear writing quickly pulls readers into African village life as Tangi attends her father's funeral and goes to live with a beloved uncle. Evil stepsisters and cruel servants make her life a misery at home while schoolchildren tease her for her handicap and call her Limpy. But Tangi's father left her a curious gift--three empty glass bottles.

The stark realism of this first half to the story gives way to magical hopes when Tangi learns what those bottles contain. Soon she finds herself in a wholly different world, thrillingly beautiful but fatally flawed, and only love can save it. This magical world becomes as real as Africa in the author's hands and the story of Tangi's search for the shape of true love is beautifully told--not a flutter in the heart, not a determination to save, but something more that can't be found without risk and commitment.” (Review by Sheila Deeth).


What was your favorite scene to write?
I had so many favorite scenes. I loved the scene where Tangi discovers who she really is, her release from suffering and physical pain, and her entrance into Rosevine, the land that could make all her dreams come true. If everything works out.

What do you feel was the hardest part of writing your book?
Tangi’s Teardrops is inspired by a painful part of my childhood. It was sometimes hard to relive the memories.

Do you have any hidden talents?
Writing had been my hidden talent until I finally published my two novels. Now, I can tell you about others. I love to create my own jewelry and to design book covers as well as digital scrapbook elements (in Photoshop). Take a peek here
http://bit.ly/Mhmnsm and here http://bit.ly/Ma5gO5

What are you working on now?
I’m currently editing my next novel, Honeysuckle & Jasmine, which is also inspired by a true story. 


The story is about two African Au-Pairs (from very different backgrounds) who meet in a fictional town in Germany and embark on a journey that leads them to the true meaning of friendship. Together they laugh, they cry they live, they grow. And then everything changes. Suddenly their carefree days are over and the struggles that come with living in a foreign country begin. The only thing that can hold them together, when everything falls apart, is their friendship. 

You can get a sneak peek at the cover I designed for the novel here:
http://bit.ly/Nku67x

The novel will be published at the end of this year.

Thank you so much for hosting me on your blog today. I enjoyed answering your questions. I hope your followers and friends will give Tangi’s Teardrops a chance.




 Liz Grace Davis is a Namibian author. She grew up in Angola, Namibia, South Africa and Germany. She now lives with her husband in Vienna, Austria. 

Growing up, Liz spent most of her days in school libraries, diving into the world of books. In her spare time she loves to travel as well as creating jewelry and digital scrapbooks. She's in her element when she is doing anything that requires creativity. 

Liz is the author of a young adult fantasy novel, Tangi's Teardrops and a contemporary romance novel, Chocolate Aftertaste. 


You can find Liz here:
Facebook
Goodreads
Novel Moments (Blog)
Twitter
Liz_davis1@yahoo.com   

You can find the book here:

Amazon
Barnes & Noble
Smashwords

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To win your own copy of
Tangi's Teardrops, (epub or mobi) simply leave a comment with your email address. Winner will be drawn randomly from all the comments Friday, September 7.

Thanks for stopping by!

Wednesday, 29 August 2012

Hereafter by Terri Bruce

 
 
Welcome to the afterlife. The food has no taste, the drinks don't get you drunk, and the sex...well, let's just say 'don't bother.'
 

Welcome to the Making Connections blog today for a guest post (Chinese Ghost Festival) and giveaway with Terri Bruce, author of Hereafter!


Today is Chinese Ghost Festival—a holiday occurring in the middle of Ghost Month (August 17th to September 15th this year)—commemorating the dead, similar to the Mexican Day of the Dead or the Roman festival of Parentalia. During Ghost Festival, people leave plates of food outside (on the sidewalk or at altars) for the dead, prepare lavish banquets for their deceased relatives/ancestors, and burn paper effigies of items they believe the dead will need in the afterlife, such as money, animals, and even televisions, sailboats, and houses. Ghost Festival is not celebrated just by the Chinese—there’s a form of Ghost Festival in almost every Asian country.

 Ghost Festival has become one of my favorite aspects of Chinese afterlife mythology, and is featured prominently in Hereafter. At some point, I began imagining a version of the afterlife in which the dead could actually take possessions with them—what would such a world look like and what would the dead do with all this stuff they had collected—and Hereafter was born.
 
Today, to celebrate ghost festival I wanted to share part of a scene from Hereafter that takes place during Ghost Festival, and give a few “behind the scenes” glimpses into the scene, including a couple of hidden “Easter Eggs” (for more Hereafter Easter Eggs, check out my August 22nd guest post at Butterfly-o-Meter Books).
 
At the start of the scene set during Ghost Festival, Irene—the main character—and her friend Amy (both ghosts) are in downtown Boston, near Chinatown:
 

A loud blast of horns and drums drew their attention, followed by the sharp crackle of firecrackers.

“What’s going on over there?” Amy asked, turning to look down the cross alley that led to the next street. She started cautiously toward the alley, motioned for Irene to follow, and then surged forward without waiting.

 
My sister-in-law teaches English in China and has become quite versant in Chinese culture. She told me that firecrackers are a big part of Chinese culture—they are used to drive away bad spirits (apparently the noise is meant to frighten them). The Chinese don’t regard ghosts and spirits as “bad” or malevolent, per se; however, spirits are believed to be generally jealous of the living and often bent on mischief. In a bid to be “safe, rather than sorry,” the Chinese generally combine placation and prevention in their approach to ghosts—they provide offerings for the dead, while at the same time using preventative measures to drive spirits off. Firecrackers are one such method and are used to “cleanse” an area before anything significant takes place—which can include a marriage, a birth, or even having sex for the first time! I so wanted to have a scene where I worked in the firecrackers before sex, but unfortunately I didn’t find any way to use that tidbit (in this book).

 
They emerged into a thick crowd of people watching a Chinese dragon parade down the street.

“Oh my God, it’s Ghost Festival!” Amy grabbed Irene’s hand and began pulling her through the crowd.

“Ghost Festival?” Irene asked. Something dinged in her memory. Jonah had said something about a ghost festival. She wracked her brain, trying to remember what he had said. Something about…the living sending stuff to the dead…

“Yeah, all these foreigners have one, you know. They’re really superstitious, but I’m not complaining. It’s like Christmas.” She gave Irene’s hand a sharp tug. “Come on!”

 
Unfortunately, (as of the writing of this blog post), to my great sorrow, I have never attended Ghost Festival. The Chinese calendar is based on a lunar cycle, which means dates move from year to year (Ghost Festival generally falls somewhere between mid-July and mid-September) and I always manage to miss it.
 

She dragged Irene down a side street, away from the crowd. Irene noticed things laid out on the sidewalk. She slowed down, trying to get a closer look, and realized it was mats covered with dishes of…“Hey! That’s food,” she cried.

“Yeah,” Amy said, still tugging her down the street, “but it’s all nasty Oriental food. God, what is it with these people? Doesn’t anyone have anything good? I’d kill for a pork chop or even a Skybar.”

Irene pulled her hand free. “Okay, slow down for a second and please explain to the new girl what exactly is happening here.”

Someone knocked against Irene and a man—glowing blue—dropped to all fours in front of the closest mat of food. “I haven’t eaten anything in months,” he moaned and began shoveling food into his mouth with both hands. Repulsed, Irene took a step back.

She thought back to the last time she had thought about food—it seemed so long ago that she had stood in front of Stephanie’s thinking that she hadn’t eaten in days. It seemed a lifetime ago. She still wasn’t hungry, but the sight—and tantalizing smell—of the ghost food stirred the memory of hunger and her “stomach” growled.

You don’t have a stomach, she reminded herself.
 

My goal for Hereafter was to create a world in which all the afterlife beliefs—from every culture and religions—were true. I’ve always been interested in mythology and love to learn about the origins of myths—the “real story” behind the story. So I tried to imagine the “real” origins of some of these myths. Of course, one of the earliest problems I had was that so many myths have to do with giving physical objects and food to the dead—who technically have no bodies. What, then, would a ghost do with food? As I delved further into afterlife mythology, the Egyptian belief that the soul is made up of five parts—the heart, the shadow, the name, the soul or essence, and the “vital spark,” that which makes us alive—captured my attention. The Egyptians believe that each of these five parts separates at death and serves a vital function. I used this idea to create an afterlife in which that which remains after death is the spirit or “essence” of an item—whether it be a person, an object, or food. Therefore, in Hereafter, spirits don’t eat actual physical food—they consume the spirit or essence of food.
 

“Come on,” Amy said. “Before all the good stuff is gone!”

Amy gave Irene’s hand a tug and then, dropping Irene’s hand, she bee-lined down the street and disappeared around a corner. Irene slowed down, trying to get a good look at the items laid out on the sidewalk. On closer inspection it turned out that it wasn’t just food laid out for the dead. There were small items—such as soap, candy, jewelry, flowers, and money. There were also elaborate paper models of larger items—sailboats, cars, even animals.

Irene stooped and picked up a paper horse—delicate and precise. It was beautiful, obviously folded with care. She reached down and scooped up several more paper items, turning them over in her palm to study them—paper money, some sort of building that was either a pagoda or a house, and a motley collection of animals, mostly birds.

She meandered down the street, stopping to explore the contents of each display with fascination. She found a cigarette lighter at one—just a cheap, convenience store item—but it was glowing blue so she slipped it into her bag to give to Ernest next time she saw him.

Food seemed to be the most popular item left for the dead—she passed many empty plates and quite a few dead, greedily eating. The paper animals seemed to be the least popular, judging by the number that she found left behind. She picked up a few more, holding them in her palm like pebbles.

 
Of course, a whole separate issue was what would a ghost do with all the “stuff” left for it during something like Ghost Festival? Did ghosts have ghost houses, populated with ghost televisions, ghost refrigerators, ghost furniture? Almost every culture thinks that the dead need some form of currency in the afterlife—the Chinese mythology is perhaps the most elaborate in that they create paper money (ghost currency) specifically for the dead (which they burn as a way of sending it to the afterlife). What, exactly, were the dead doing with all this money? Are there cities in the land of the dead—an economy, stores, jobs where one can earn more money? It was all incredibly fascinating to envision and try to figure out!
 

She heard Amy shout her name. She absentmindedly dropped the paper items into her bag and ran to catch up. She found Amy around the corner, happily munching what turned out to be a hamburger from a local fast food chain.

“God, this is good,” Amy said.

“Really? Someone left a bag of fast food for the dead?” Irene gaped at the blue glow surrounding the fast food bag.

Amy held out the remainder of the burger, offering it to Irene. Irene shook her head. “You are so lucky,” Amy said, polishing it off. She burrowed into the bag and pulled out some fries. “We didn’t have anything like this during my time!”

“It seems like a rather smart-assed move to me—leaving fast food.” Irene couldn’t believe it was a serious offering to the dead, on par with the meticulously folded paper animals.

Amy wrinkled her nose. “I’ll take a hamburger over a paper cow any day!”

Irene wasn’t convinced

“Think about it,” Amy added. “If you thought the dead were hanging around, pining away for the things they enjoyed when they were alive, which would you send them...a…”—she snatched up one of the paper animals—“…pig? Or a television? Stewed cabbage or a hamburger?” She dropped the tiny animal to the ground and took Irene’s arm. “Let’s see if we can find some dessert. I adore dessert!”

 
Apparently people actually do put out hamburgers during Ghost Festival. I took this a step further and had someone leave a bag of fast food. It’s meant to be a kind of funny and irreverent addition to Ghost Festival, but at the same time, there was a strange kind of logic that made it reasonable that someone might actually do this. I know people who pour a glass of scotch over their hard-drinking father’s grave every year and I’ve seen medals, photos, and toy cars left on grave stones as a token of remembrance, so why not a bag of fast food? I know that’s what I’d want someone to send me!

 
They wandered down the narrow street, checking both sides and the alleys leading off of it. At one point, Amy cried out in elation at finding a pack of playing cards and then promptly had to fight off another young, dead woman who tried to wrestle them away from her. There were a lot of wind chimes, which Irene and Amy had a good laugh over, wondering what possible use those could be to the dead, and a lot of paper money that Amy impatiently told Irene wasn’t of any use when she saw her picking it up.

“Coins are the only money that matters,” she said.

“Why?”

Amy shrugged. “Just is.”

 
Here’s another Easter Egg—anyone who knows their mythology know why coins are important in the afterlife! The dead were buried with a coin for millennia so that they could pay the ferryman to row them across the river, to the land of the dead. This practice went out of fashion a couple hundred years ago, leaving Amy and Irene confused as to why coins are important.
 
The scene continues on after this, touching on some of the traditional food offerings (stewed cabbage and Red Bean Paste Buns [which I really like!]) and also traditional preventative means of keeping a ghost out of a house. I had a lot of fun imagining that during Ghost Festival, ghosts just walk into houses, sit down at the table, and help themselves to the food left for them. While it’s traditional to set a place for the ghosts, I don’t think anyone actually expects ghosts to literally sit down and eat with them. Imagine if you found out that they really did! It was little twists like this that made Hereafter so much fun to write. J
 
I hope you enjoyed this behind the scenes glimpse into the writing of Hereafter and Chinese Ghost Festival. If you want to learn more about Ghost Month, visit my post on the topic, celebrating the first day of Ghost Festival, at Kelly A. Harmon’s site.
 

 
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Why let a little thing like dying get in the way of a good time?

Thirty-six-year-old Irene Dunphy didn't plan on dying any time soon, but that’s exactly what happens when she makes the mistake of getting behind the wheel after a night bar-hopping with friends. She finds herself stranded on Earth as a ghost, where the food has no taste, the alcohol doesn’t get you drunk, and the sex...well, let’s just say “don’t bother.” To make matters worse, the only person who can see her—courtesy of a book he found in his school library—is a fourteen-year-old boy genius obsessed with the afterlife.

This sounds suspiciously like hell to Irene, so she prepares to strike out for the Great Beyond. The only problem is that, while this side has exorcism, ghost repellents, and soul devouring demons, the other side has three-headed hell hounds, final judgment, and eternal torment. If only there was a third option..
 
 
Publication Date: August 1, 2012
Publisher: Eternal Press
Number of Pages: 296
Genre: Contemporary Fantasy
 

Available Wherever Books Are Sold:


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Giveaway!
Enter the Rafflecopter form for your chance to win! 
 
1st Place - E-book of Hereafter plus swag pack
2nd Place - E-book of Hereafter
 
a Rafflecopter giveaway
 
 
 
Contacts
Email: tbruce@terribruce.net

Website/Blog: http://www.terribruce.net/

Goodreads: www.goodreads.com/author/show/6450132.Terri_Bruce

Facebook: http://www.facebook.com/#!/profile.php?id=100003716022408

Facebook fan page: http://www.facebook.com/pages/Terri-Bruce-Fan-Page/325830544139030

Twitter: @_TerriBruce

Sunday, 26 August 2012

The Road to Hell by Christopher C. Starr

 
 

ABOUT THE AUTHOR
Christopher C. Starr is the author of The Road to Hell: The Book of Lucifer, the first novel in the Heaven Falls series. These stories examine the God’s relationship with Heaven and Earth, told through the eyes of the angels. The next book in the series, Come Hell or Highwater, is scheduled for late 2012/early 2013.

Chris makes it a point to look at the dark side of his characters, both heroes and villains, and his work explores the “grey”—that place where good and evil come together in all of us.

When he’s not being chased out of churches, Chris enjoys comic books and movies, staying away from cemeteries, and poorly participating in P90X. He lives in Seattle with his wife, two kids (The Boy and the Honey Badger), and his huskies, Rocky the Wonder Dog and his colorful sidekick, Leylah Redd. You can check out his blog at christophercstarr.net.



The Road to Hell: The Book of Lucifer
You already know my name and, yes, I am that Lucifer. Fall from Heaven, Garden of Eden, ruler of Hell, Satan, the Devil, the Adversary, blah blah blah. I am the one you condemned without, what do you call it? A fair trial. Forget what you think you know: I want to tell my side of the story. The Road to Hell is all about how a pathetic group of short-sighted angels kicked me out of Heaven.

Humans are naturally curious and I suspect you’re asking ‘why now?’ Well, He has a book and it’s been pretty successful, so I figured what the hell? Found a ghostwriter and gave it a go. After all, the story is fantastic! It has everything you clods of dirt crave: a love story, a little sex, intrigue. Murder. War. Lots of blood. And a cast of characters you already know and love—Michael, Gabriel, Raphael—along with a host of others. Even has a special guest appearance by the Father and that damned boy.So, let’s get down to business or brass tacks or whatever colloquialism works for you. I have plenty to say and plenty of time: The Road to Hell is just the first in a series of novels about my experience with Him, with my brothers and sisters, with you. If you’re interested in featuring me, reach out to the pile of dust below; if not, well, I’ll see you soon.

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When did you first know you wanted to write?
I figured it out when I was little. My brother and I convinced my father to take us to see Alien when I was six. Big mistake—kinda. The movie scared the mess outta me. I didn’t even see the whole movie at that time: I saw everything until the facehugger jumped on John Hurt’s face, then spent the next 20 minutes peeking through my father’s fingers. Until the chestburster jumped out of Hurt’s chest. Then we were through. What I remember about that experience, after I reconciled my fear, was wanting to do that to people. To make them feel something with the thoughts in my head.

 

I can honestly say I've never seen another book written from Lucifer's point of view. Where did the idea come from for Road to Hell?
I absolutely am not the first author to take on the subject matter and even Milton tries to write Lucifer’s part from his point of view. There are couple books that take his point of view but most them don’t deal with his fall, they address the aftermath or work it in through flashbacks and memory. It’s always something that already happened. Those contemporary authors that do take on the subject write around Lucifer, trying to get at the larger picture. There’s nothing wrong with that, I just wanted to be original.

 

The idea for the story honestly woke me up as a dream. I could hear Lucifer saying “The Father is wrong!” and I could see Michael wielding his sword, ending the madness. It wouldn’t leave me alone. And, in the beginning, it was Michael’s story. I was really interested in what he must have gone through having to be the one to actually exile Lucifer from Heaven. But after I wrote the first draft and shared it, everyone around me said Lucifer was the best part and he was the one they wanted to hear from.  Upon rewrite, I really got into the character, really heard his voice. Really made it his story.


 
I initially wrote it as a screenplay. I thought I was writing a movie until I met a guy who was presenting a workshop on religion in film at the Sundance Film Festival (The Passion of the Christ had just come out and did much better at the box office than expected). He asked me to flesh it out into a novel. I think you can tell in the pacing of the book: it’s faster, moves from scene to scene, written a little leaner. Much more dialogue.

 

How has your environment/upbringing colored your writing?
A few experiences have really colored who I am as an author. A lot of it is the movies and comics I saw as a kid. You’ll see a lot of action, a summer blockbuster approach to my subject matter. I see my stories visually and try to give the reader that same picture. I act out my actions, I speak my dialogue out loud, I outline with screenplays so you get pacing and strong dialogue. Though I’m a novelist, I’m always trying to write a movie.


When I was in college, I was at a crowded restaurant and saw two women get into an argument. One shot the other. Right next to me. It was the first time I used writing to process life, the work through the human condition. I had to make that incident make sense and place it into a larger context. When I started writing about it, my words resonated with other people. They felt it. I learned a little about responsibility in writing and honesty, about putting your emotions on display as a way of connecting with people.

 

As a person of color, I try to also write characters other people of color can relate to. In The Road to Hell I see the characters as representing all races and colors. I have to be sparse on their descriptions because angels and God are intensely personal ideas. But you’ll see additional main characters, particularly women, as people of color in my writing.

 

Have you learned anything from writing your book?
To trust my gut. I have plenty of doubt as an author—I think we all do. Writing is such a solitary endeavor and we authors tend to live in our heads. We all hope other people find the story as compelling as we did, see what we see, feel what we pray they’ll feel. But, in the end, we have to believe the story we told is the story we’re meant to tell and it’ll find its intended target. With this book, I’ve had to learn to trust my abilities as a writer and believe in the story I have to tell.

 

What do you do to unwind and relax?
Unwind? Relax? What are these things when there are new novels to write and existing ones to promote? Actually I do a couple things: I LOVE movies and have famously said “I’ll watch anything”—a statement I instantly regretted when my kids made me watch Beverly Hills Chihuahua. I’ll get lost in a story. I build Legos with my son, let him beat me on Xbox, and will engage in house-wide Nerf wars with my kids at the drop of a hat. Up until a year ago, I was a kickboxing fan until I messed up my ankle (me + mole hole = 3 torn ligaments and a year of rehab). I’m just getting back into it now.

 

Do you have any hidden talents?
I used to write rap lyrics in college and, while my rap career went absolutely NOWHERE, I did gain the ability to rhyme any word. Haven’t been stumped yet. I have no idea where such an incredible talent will get me but, hey, there it is.

 

Do you have any advice for budding writers?
The moment you commit to writing that story and giving it to the universe is the moment you stop being a “budding” writer. We all have growth to gain in our craft, our characterization, our plot, whatever. Don’t talk about being inexperienced: writing is the only thing that can give a writer experience. So stop trying to write it and just write it.

 
Where do you hope to see yourself in the next five years?
Prolific, proud and blessed. Prolific in that I never stop telling stories. That nothing ever takes that away. And proud of everything I’ve accomplished. Proud of the stories I’ve written, the words on the page, the people I’ve connected with. And blessed to be able to do it at all.


CONTACT
Blog:
www.christophercstarr.net

Amazon Author Page:
www.amazon.com/author/christophercstarr

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Goodreads:  http://www.goodreads.com/author/show/5159882.Christopher_C_Starr